The Excise Officer

Opened in 1770, the Vine Hotel was purportedly frequented by smugglers well into the nineteenth century. During late-nineteenth-century renovations, a male skeleton is alleged to have been discovered, bricked into a cavity opposite the reception, alongside buttons bearing the Royal Insignia (or, according to some reports, wearing a full excise officer’s uniform). This has led to tales presupposing his (probable) grizzly demise, and reports of ghostly happenings. See, for example, here. See also Daniel Codd, Haunted Lincolnshire (2006), and Camilla Zajac, Lincolnshire Ghost Stories (2017).

This stretch of coast was rife with smuggling well into the eighteenth century. The hotel displays information about the legend (below, pictured 2024). There is no tangible evidence that the man was an excise officer, and no buttons exist. Even the whereabouts of the skeleton is unknown. However, in the late nineteenth century, many skeletons were found bricked into buildings in the nearby (and then much bigger) market town of Alford, which was known to be a centre of smuggling. The About Alford blog is fascinating on this subject.

The 2022 winner of Write a Lincolnshire Song, ‘Brass Buttons’ by Peasants’ Revolt, tells the tale. The whole of the 2022 contest is available below, with the song beginning at 1 hour 8 mins 20 seconds.

Words and images by RORY WATERMAN

2 responses to “The Excise Officer”

  1. As the researcher behind about alford I am delighted that you have enjoyed my ramblings. Thank you

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    1. Wonderful to have you here! Always keen to include more folk tales and curios about Alford if you think of any you are particularly fond of.

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About the project

‘Lincolnshire Folk Tales: Origins, Legacies, Connections, Futures’ is a project funded by the Arts and Humanities Research Council (grant number AH/Y003225/1), and is led by Dr Rory Waterman and the Research Fellow Dr Anna Milon in the School of Arts and Humanities at Nottingham Trent University. The project explores the origins, legacies, intertextual and social connections and futures of Lincolnshire folk tales (LFTs), and is intended to facilitate wider engagement with this heritage from writers, the general public, and scholars.

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