The Read’s Island Werewolf

Read’s Island from near Ferriby Sluice, with Yorkshire and the Humber Bridge in the distance, in March 2024.

This is the story of a man who is said to have set himself up as a ferryman on Read’s Island ‘about 400 years ago’, and allegedly killed and ate many of his passengers. At trial, he is said to have taken on the form of a wolf, and it was reported that hundreds of human bones had been discovered on the island. This is recounted by Daniel Codd in Mysterious Lincolnshire (2007) and by Lucy Wood in The Little Book of Lincolnshire (2016), among others.

Read’s Island is now an uninhabited and uninhabitable nature reserve, visible from Winteringham Haven and South Ferriby. However, the island does show signs of past human activity. The earliest mention of Read’s Island seems to be in the Customs Map of 1734, where it is shown as a sandbank called Old Warp (potentially after the practice of ‘warping’, manoeuvring a turbid river to deposit a layer of silt in a desirable location). Towards the end of the century, grass was seen growing on the island in large enough quantities to support cattle. It has been occupied by humans at several points, such as in the 1860s when a sheep farmer called William Foster lived there with his family. The island has also served as a bird-shooting reserve. The last permanent occupier moved away in 1989, and all permanent structures, threatened by erosion, have since been demolished.

RORY WATERMAN AND ANNA MILON (not depicted above, thank you)

One response to “The Read’s Island Werewolf”

  1. […] the tale of the Read’s Island Werewolf for the first time, I thought there was scope for adaptation and development. In other words, there […]

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About the project

‘Lincolnshire Folk Tales: Origins, Legacies, Connections, Futures’ is a project funded by the Arts and Humanities Research Council (grant number AH/Y003225/1), and is led by Dr Rory Waterman and the Research Fellow Dr Anna Milon in the School of Arts and Humanities at Nottingham Trent University. The project explores the origins, legacies, intertextual and social connections and futures of Lincolnshire folk tales (LFTs), and is intended to facilitate wider engagement with this heritage from writers, the general public, and scholars.

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